The music is so haunting, especially the final sequence – what was it like working with Leonardo and Rodrigo?
I wanted the music to be sparse and haunting I think that anything fuller or orchestral would have saturated it. I left it up to them to choose whatever they wanted within that guideline. Like all the other crew and cast Id never worked with Rodrigo and Leonardo before, but I told him expressly what I was hoping it would sound like, but left it up to him how he achieved that. He came back with some excellent stuff which we tweaked a couple of times to get perfect.
Read the complete interview here
Music recorded at Scrofa Music